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Performs planned action scenes, rehearses falls or fights and follows safety directions on set or stage.
Stunt performer work is about executing action scenes that are too risky, physically demanding or specialised for actors, such as fights, jumps, vehicle work, falls or dance-based movement.
In job descriptions, look for rehearsals, risk analysis, fight action, martial arts, camera crew cooperation, timing cues, vehicles, firearms handling, physical training and scripted role study.
Stunt performers prepare and execute planned action for film, television, theatre or live production. Work is built around rehearsal, camera positions, timing cues, physical control, risk analysis and coordination with directors, fight arrangers and camera crews.
Useful depth can include martial arts, falls, driving, dance, extreme sports, firearms handling for performance, script study and communicating fight actions. The strongest skill is controlled repetition, not improvised risk.
Salary context depends on production scale, rehearsal time, physical risk, specialist equipment, vehicle or weapon work, continuity demands and whether the performer also helps organise rehearsals or risk planning.
Career paths can move toward stunt coordination, fight direction, movement coaching, action-unit planning, safety support or specialised performance areas such as vehicles, falls, combat or dance.
Check whether adverts describe the action type, rehearsal schedule, camera work, risk assessment, insurance or safety process, required physical disciplines and who approves the final stunt plan.
This guide is editorial career context. It is not official labour-market statistics or role-specific salary data.
This occupation may occur in several kinds of economic activity. Here are some examples and other occupations that may be found in the same areas.
This is one example. Other occupations in this activity include stand-in, extra and costume attendant.
Explore this activityThese examples offer an overview but do not show every economic activity where the occupation may occur.
The selection is based on how occupations are connected to economic activities in ESCO and NACE. Only a few examples are shown to make the information easier to use. The occupations were selected because they are close in occupation area and important skills. The examples are not a ranking. They do not show where most people work, where demand is highest, or which occupation is best suited to a particular person.
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See occupations connected to this ESCO occupation in the official O*NET–ESCO mapping. The relationship type comes from the source and is not a ranking or recommendation.
O*NET relationships: 1
27-2099.00
O*NET occupation is broader
The O*NET occupation covers a broader field of work than this ESCO occupation.
Open in O*NETThese relationships come from the official European Commission O*NET–ESCO crosswalk.
Relationship direction: O*NET occupation to ESCO occupation.
Several O*NET occupations can point to the same ESCO occupation, and one O*NET occupation can point to several ESCO occupations.
AltoTrail preserves the source relationship type. The order is technical and does not show which occupation is best, most relevant or recommended.
AltoTrail validates and presents the source relationships without adding ranking or recommendation semantics.
Economic activities linked to this occupation.
59.11Motion picture, video and television programme production activitiesOther artistic and cultural associate professionals (3435)
| ESCO URI | http://data.europa.eu/esco/occupation/84f20f5d-149a-4512-b319-18a81d3d6026 |
|---|---|
| ESCO code | 3435.24 |
| ISCO group | 3435 |
| Concept type | Occupation |