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Stage manager work is about coordinating rehearsals and live performances so stage action, timing, safety and technical cues support the artistic plan.
In job descriptions, look for pre-show checks, cueing, prompt book work, rehearsal coordination, communication with technicians and performers, stage safety and event or theatre production experience.
Stage manager work is centred on rehearsal rooms, stages and live event spaces. The role translates the artistic plan into cues, checks, communication routines and practical coordination before and during performance.
Useful strengths include analysing scripts and scenography, coordinating pre-show checks, running a performance, following time cues, maintaining a prompt book, documenting safety actions and keeping performers and technical crews aligned.
Pay expectations depend on venue size, number of performances, rehearsal load, evening or touring schedules, safety responsibility, technical complexity and whether the stage manager leads assistants or calls the show alone.
Paths can start in theatre production, event assistance, technical crew, assistant stage management or performing arts training, then move toward production management, tour management, venue coordination or specialist cueing roles.
Look for details on rehearsal period, show calling, prompt book ownership, emergency procedures, pyrotechnics, stage weapons, mobile electrical systems and who has final authority during live performance.
This guide gives editorial career context for stage manager work. It is not official labour-market statistics or salary data.
This occupation may occur in several kinds of economic activity. Here are some examples and other occupations that may be found in the same areas.
This is one example. Other occupations in this activity include stage machinist, automated fly bar operator and performance flying director.
Explore this activityThese examples offer an overview but do not show every economic activity where the occupation may occur.
The selection is based on how occupations are connected to economic activities in ESCO and NACE. Only a few examples are shown to make the information easier to use. The occupations were selected because they are close in occupation area and important skills. The examples are not a ranking. They do not show where most people work, where demand is highest, or which occupation is best suited to a particular person.
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See occupations connected to this ESCO occupation in the official O*NET–ESCO mapping. The relationship type comes from the source and is not a ranking or recommendation.
O*NET relationships: 1
27-1011.00
O*NET occupation is broader
The O*NET occupation covers a broader field of work than this ESCO occupation.
Open in O*NETThese relationships come from the official European Commission O*NET–ESCO crosswalk.
Relationship direction: O*NET occupation to ESCO occupation.
Several O*NET occupations can point to the same ESCO occupation, and one O*NET occupation can point to several ESCO occupations.
AltoTrail preserves the source relationship type. The order is technical and does not show which occupation is best, most relevant or recommended.
AltoTrail validates and presents the source relationships without adding ranking or recommendation semantics.
Economic activities linked to this occupation.
90.39Other support activities to arts and performing artsOther artistic and cultural associate professionals (3435)
| ESCO URI | http://data.europa.eu/esco/occupation/1aa4bb15-c527-4a3b-9270-b3c71c4be111 |
|---|---|
| ESCO code | 3435.22 |
| ISCO group | 3435 |
| Concept type | Occupation |