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Follows scripts during rehearsals or performances, gives cues and helps performers recover missed lines.
Prompter work supports live performance by following the script, cueing performers when lines are missed and helping the stage action stay in the right place.
In job descriptions, look for rehearsal attendance, prompt books, script reading, cues, theatre texts, stage communication, pronunciation, memory support and cooperation with actors and directors.
Prompter work is close to rehearsals and live performance. The role follows the script line by line, tracks entrances and stage positions, and gives quiet cues when performers need help without distracting the audience.
Useful depth comes from script reading, prompt-book handling, theatre text analysis, pronunciation, rehearsal routines and calm communication during a show. Some work is tied to opera, theatre or other staged performance.
Pay is shaped by production length, rehearsal schedule, performance run, union or venue structure, evening work and whether the role carries wider stage-management duties. This guide does not provide salary amounts.
Experience can grow from rehearsal support into stage management, production coordination, script supervision, assistant directing or other backstage roles that require precise timing and actor support.
Check whether the vacancy expects prompting only during performances or also rehearsal notes, prompt-book updates and communication with stage management. Clear adverts name the production type and show schedule.
This guide is editorial career context, not official labour-market statistics or role-specific pay data.
This occupation may occur in several kinds of economic activity. Here are some examples and other occupations that may be found in the same areas.
This is one example. Other occupations in this activity include stand-in, assistant stage director and stage manager.
Explore this activityThese examples offer an overview but do not show every economic activity where the occupation may occur.
The selection is based on how occupations are connected to economic activities in ESCO and NACE. Only a few examples are shown to make the information easier to use. The occupations were selected because they are close in occupation area and important skills. The examples are not a ranking. They do not show where most people work, where demand is highest, or which occupation is best suited to a particular person.
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See occupations connected to this ESCO occupation in the official O*NET–ESCO mapping. The relationship type comes from the source and is not a ranking or recommendation.
O*NET relationships: 1
27-2011.00
O*NET occupation is broader
The O*NET occupation covers a broader field of work than this ESCO occupation.
Open in O*NETThese relationships come from the official European Commission O*NET–ESCO crosswalk.
Relationship direction: O*NET occupation to ESCO occupation.
Several O*NET occupations can point to the same ESCO occupation, and one O*NET occupation can point to several ESCO occupations.
AltoTrail preserves the source relationship type. The order is technical and does not show which occupation is best, most relevant or recommended.
AltoTrail validates and presents the source relationships without adding ranking or recommendation semantics.
Economic activities linked to this occupation.
90.39Other support activities to arts and performing artsOther artistic and cultural associate professionals (3435)
| ESCO URI | http://data.europa.eu/esco/occupation/949f1dc9-fb19-4212-8ac6-35ce83c88921 |
|---|---|
| ESCO code | 3435.16 |
| ISCO group | 3435 |
| Concept type | Occupation |