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Designs sets, prepares visual plans and adjusts spaces, props and finishes for productions.
Miniature set designers design and build small-scale props, models and sets for film production, using visual design, hand tools, materials and production requirements for visual effects.
In job descriptions, look for model making, miniature props, set models, script analysis, production schedules, hand-tool work, visual quality, lighting, photography, budgets and coordination with production directors.
Miniature set designers turn production ideas into small physical sets, props and models for film effects. The work moves between script needs, drawings, material choices, hand-tool construction and visual checks.
Useful depth includes model making, miniature props, set models, graphic design, cinematography, lighting, photography, budget discipline, production schedules and safe use of tools or mobile electrical systems.
Pay context depends on model complexity, production deadlines, material responsibility, visual-effects demands, budget control and whether the role only builds or also designs miniature sets. This guide does not provide salary amounts.
Career paths can grow from prop making, scenic carpentry, model making, graphic design or film art departments into senior miniature design, set supervision or visual-effects model leadership.
Check whether the vacancy asks for design, construction or both. Strong adverts name the production type, materials, model scale, tools, schedule, visual approval process and who reviews the finished set.
This guide is editorial career context, not official labour-market statistics or role-specific pay data.
This occupation may occur in several kinds of economic activity. Here are some examples and other occupations that may be found in the same areas.
This is one example. Other occupations in this activity include location manager, fight director and assistant video and motion picture director.
Explore this activityThese examples offer an overview but do not show every economic activity where the occupation may occur.
The selection is based on how occupations are connected to economic activities in ESCO and NACE. Only a few examples are shown to make the information easier to use. The occupations were selected because they are close in occupation area and important skills. The examples are not a ranking. They do not show where most people work, where demand is highest, or which occupation is best suited to a particular person.
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See occupations connected to this ESCO occupation in the official O*NET–ESCO mapping. The relationship type comes from the source and is not a ranking or recommendation.
O*NET relationships: 1
27-1027.00
O*NET occupation is broader
The O*NET occupation covers a broader field of work than this ESCO occupation.
Open in O*NETThese relationships come from the official European Commission O*NET–ESCO crosswalk.
Relationship direction: O*NET occupation to ESCO occupation.
Several O*NET occupations can point to the same ESCO occupation, and one O*NET occupation can point to several ESCO occupations.
AltoTrail preserves the source relationship type. The order is technical and does not show which occupation is best, most relevant or recommended.
AltoTrail validates and presents the source relationships without adding ranking or recommendation semantics.
Economic activities linked to this occupation.
59.11Motion picture, video and television programme production activitiesInterior designers and decorators (3432)
| ESCO URI | http://data.europa.eu/esco/occupation/88760821-9df4-47a6-a1c2-ac08b9759396 |
|---|---|
| ESCO code | 3432.3 |
| ISCO group | 3432 |
| Concept type | Occupation |