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Plans the visual look of filming, chooses camera and lighting setups and guides crews during shoots.
Directors of photography shape the visual look of film or television by interpreting the script through framing, lighting, colour, lenses, filters, style and locations.
In job descriptions, look for cinematography, camera crews, lighting design, script analysis, visual quality, equipment selection, production schedules, budgets and collaboration with the director.
Director of photography work turns the script and director’s intention into a visual plan. It covers framing, light, colour, camera movement, lenses, filters, locations and supervision of camera and lighting teams.
Useful depth includes cinematography, lighting techniques, audiovisual equipment, script analysis, set visual quality, camera crew supervision, budgets and production schedules.
Pay context depends on production scale, creative responsibility, crew size, equipment choices, location complexity, schedule pressure and whether the role owns both planning and on-set visual decisions.
Career paths can move through camera operation, lighting, senior cinematography, commercials, television drama, feature film work, visual direction or production leadership.
Check whether adverts name the format, production type, camera package, lighting responsibility, crew supervision, budget control, location work, rehearsal attendance and relationship with the director.
This guide is editorial career context. It is not official labour-market statistics or role-specific salary data.
This occupation may occur in several kinds of economic activity. Here are some examples and other occupations that may be found in the same areas.
This is one example. Other occupations in this activity include video and motion picture director, performance lighting director and production designer.
Explore this activityThese examples offer an overview but do not show every economic activity where the occupation may occur.
The selection is based on how occupations are connected to economic activities in ESCO and NACE. Only a few examples are shown to make the information easier to use. The occupations were selected because they are close in occupation area and important skills. The examples are not a ranking. They do not show where most people work, where demand is highest, or which occupation is best suited to a particular person.
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See occupations connected to this ESCO occupation in the official O*NET–ESCO mapping. The relationship type comes from the source and is not a ranking or recommendation.
O*NET relationships: 1
27-4032.00
O*NET occupation is broader
The O*NET occupation covers a broader field of work than this ESCO occupation.
Open in O*NETThese relationships come from the official European Commission O*NET–ESCO crosswalk.
Relationship direction: O*NET occupation to ESCO occupation.
Several O*NET occupations can point to the same ESCO occupation, and one O*NET occupation can point to several ESCO occupations.
AltoTrail preserves the source relationship type. The order is technical and does not show which occupation is best, most relevant or recommended.
AltoTrail validates and presents the source relationships without adding ranking or recommendation semantics.
Economic activities linked to this occupation.
59.11Motion picture, video and television programme production activitiesart director (2654.1)
| ESCO URI | http://data.europa.eu/esco/occupation/6ba25e0f-7fb8-4879-a1f9-d4f8945966be |
|---|---|
| ESCO code | 2654.1.3 |
| ISCO group | 2654 |
| Concept type | Occupation |