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Plans the visual look of filming, chooses camera and lighting setups and guides crews during shoots.
Directors of photography shape the visual look of film or television by interpreting the script through framing, lighting, colour, lenses, filters, style and locations.
In job descriptions, look for cinematography, camera crews, lighting design, script analysis, visual quality, equipment selection, production schedules, budgets and collaboration with the director.
Director of photography work turns the script and director’s intention into a visual plan. It covers framing, light, colour, camera movement, lenses, filters, locations and supervision of camera and lighting teams.
Useful depth includes cinematography, lighting techniques, audiovisual equipment, script analysis, set visual quality, camera crew supervision, budgets and production schedules.
Pay context depends on production scale, creative responsibility, crew size, equipment choices, location complexity, schedule pressure and whether the role owns both planning and on-set visual decisions.
Career paths can move through camera operation, lighting, senior cinematography, commercials, television drama, feature film work, visual direction or production leadership.
Check whether adverts name the format, production type, camera package, lighting responsibility, crew supervision, budget control, location work, rehearsal attendance and relationship with the director.
This guide is editorial career context. It is not official labour-market statistics or role-specific salary data.
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O*NET relationships: 1
27-4032.00
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art director (2654.1)
| ESCO URI | http://data.europa.eu/esco/occupation/6ba25e0f-7fb8-4879-a1f9-d4f8945966be |
|---|---|
| ESCO code | 2654.1.3 |
| ISCO group | 2654 |
| Concept type | Occupation |