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Frames shots, operates cameras and adjusts focus, movement and lighting cues during productions.
Camera operator work is about setting up and operating digital film cameras for films, television or client productions, while translating visual plans into usable shots.
In job descriptions, look for camera operation, shot planning, scripts, scenography, lighting, apertures, rehearsals, audiovisual equipment, visual quality, location work and collaboration with directors or cinematographers.
Camera operators work where the image is captured: studio floor, set, location or live environment. They prepare camera bodies, lenses and movement, then follow direction while protecting framing, focus and visual quality.
Useful strengths include analysing scripts and scenography, choosing apertures, planning shots, operating camera rigs, adapting an artistic plan to a location and communicating with directors, actors and other operators.
Salary context depends on production type, camera system, location demands, live or recorded workflow, responsibility for equipment, rehearsals, shot planning and whether specialist rigs or height work are involved.
Career paths can lead toward director of photography, steadicam or crane operation, camera department coordination, audiovisual technical management, lighting collaboration or specialist roles in broadcast, film or client production.
Check whether vacancies ask for camera operation only or broader production support. Useful details include equipment list, file workflow, rehearsal time, safety routines, power needs, shot planning and who approves the visual result.
This guide is editorial career context. It is not official labour-market statistics or role-specific salary data.
This occupation may occur in several kinds of economic activity. Here are some examples and other occupations that may be found in the same areas.
This is one example. Another occupation in this activity is boom operator.
Explore this activityThese examples offer an overview but do not show every economic activity where the occupation may occur.
The selection is based on how occupations are connected to economic activities in ESCO and NACE. Only a few examples are shown to make the information easier to use. The occupations were selected because they are close in occupation area and important skills. The examples are not a ranking. They do not show where most people work, where demand is highest, or which occupation is best suited to a particular person.
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See occupations connected to this ESCO occupation in the official O*NET–ESCO mapping. The relationship type comes from the source and is not a ranking or recommendation.
O*NET relationships: 1
27-4031.00
O*NET occupation is broader
The O*NET occupation covers a broader field of work than this ESCO occupation.
Open in O*NETThese relationships come from the official European Commission O*NET–ESCO crosswalk.
Relationship direction: O*NET occupation to ESCO occupation.
Several O*NET occupations can point to the same ESCO occupation, and one O*NET occupation can point to several ESCO occupations.
AltoTrail preserves the source relationship type. The order is technical and does not show which occupation is best, most relevant or recommended.
AltoTrail validates and presents the source relationships without adding ranking or recommendation semantics.
Economic activities linked to this occupation.
59.11Motion picture, video and television programme production activitiesaudio-visual technician (3521.1)
| ESCO URI | http://data.europa.eu/esco/occupation/6fed206a-ac4d-492b-a81a-5a3a0f2b67bc |
|---|---|
| ESCO code | 3521.1.2 |
| ISCO group | 3521 |
| Concept type | Occupation |